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Interstellar: The Complete Screenplay with Selected Storyboards (Opus Screenplay Series), by Nolan, Christopher
Download Ebook Interstellar: The Complete Screenplay with Selected Storyboards (Opus Screenplay Series), by Nolan, Christopher
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About the Author
CHRISTOPHER NOLAN is the writer/ director of Memento, The Prestige (with Jonathan Nolan), and Inception, as well as Batman Begins (with David S. Goyer), The Dark Knight (with Jonathan Nolan) and The Dark Knight Rises (with Jonathan Nolan). Nolan's THE DARK KNIGHT TRILOGY: The Complete Screenplays with Selected Storyboards, is also part of the OPUS SCREENPLAY SERIES.
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Product details
Series: Opus Screenplay Series
Paperback: 380 pages
Publisher: Opus Books; 1st Edition edition (November 7, 2014)
Language: English
ISBN-10: 1623160588
ISBN-13: 978-1623160586
Product Dimensions:
6 x 1.2 x 9 inches
Shipping Weight: 1.6 pounds (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
34 customer reviews
Amazon Best Sellers Rank:
#595,638 in Books (See Top 100 in Books)
Please note that this review contains several spoilers in relation to the first hour of the film's plot.I purchased this book after seeing the film twice, under the assumption that in reading the screenplay, I would understand a few pertinent plot points I missed in my first two viewings. In this respect, this purchase has more than served its purpose.INTERSTELLAR is definitely not for everyone. The film requires commitment to both thought and time, and therefore will not be to everyone's liking, including some devoted fans of the science fiction genre.I will admit I have an affinity for films that require multiple viewings for the observer to digest. I am no genius, but I was frankly amazed at how much of Christopher Nolan's INTERSTELLAR I did understand during my first viewing. When I saw it a second time, I was equally amazed at how much I'd missed, and how beautifully it all came together. I would not say that INTERSTELLAR requires a degree in quantum physics or an understanding of Einstein's theory of relativity, but they sure would be helpful. Yet it turns out that the underlying theme of INTERSTELLAR is nothing more than an exploration of the power of love and what makes us human. After my first viewing, I emerged from the theater with many questions, yet I had the feeling (and still do) that INTERSTELLAR is perhaps the greatest science fiction film ever made and even possibly the best film I have ever seen of any genre. I do not make these statements lightly. And as far as the script is concerned, reading this book has deepened my understanding of the plot, and thus enhanced my enjoyment tremendously. I am a film buff who enjoys many different types of movies, but Sci-fi, drama and fantasy are perhaps my favorites. INTERSTELLAR employs elements of each.The first hour or so of the film can be summarized thusly: Cooper (Mathew McConaughey) is a former NASA space pilot living in the near future, where a large-scale disaster (there are hints that it may have been climate change or even a nuclear war) has killed off much of the Earth's population, and left the planet unable to sustain life for more than one more generation. Dust storms blanket the planet and crops fail constantly. One by one many crops have become history and corn is all that can be grown.Cooper's daughter Murph and son Tom are above average students, but like other young people, they are encouraged to study farming to help sustain the dwindling food supply. Murph complains of poltergeists in her room and is soon attempting to decode cryptic messages that appear in the dust near her bookcase. When she and her dad discover that one of the messages contains geographic coordinates in binary numbers, they set out to discover what they may at that location.What they find is a secret NASA complex presided over by Professor Brand (Michael Caine) who is trying desperately to save the species by discovering a new, habitable planet while simultaneously exploring the possibility of launching a massive space station to receive Earth's doomed people. We soon learn that a crew of explorers has already been sent into a wormhole near Saturn. The wormhole opens into another galaxy, where several potentially viable planets await. Professor Brand convinces Cooper to leave his family and pilot a spacecraft into the wormhole, while he (Professor Brand) works on a problem concerning the space station. Cooper is accompanied on his mission by Brand's daughter (Anne Hathaway) and a crew of two more astronauts, plus two robots called Tars and Case. Murph doesn't want her father to leave, because she understands that he will not be back for many years, if at all. Believe it or not, this is only the beginning. Be warned that the movie runs a hefty two hours and forty-nine minutes, all of which require sustained attention to absorb the film's myriad details.With INTERSTELLAR, Christopher Nolan has fashioned nothing less than a modern classic, a film by which I believe future space sci-fi films may be measured. Of course, it is not apparent in the script, but the music, by Hans Zimmer, is breathtaking, and so effective as to draw the viewer directly into the story. The visual effects are stunning and the drama intense. All together, they make for a highly potent and entertaining film. During the final 45 minutes, I found myself in tears several times, particularly at the climax.I enjoyed my first screening of the film so much that I did something I think I've never done before - I went back to see it again the very next day. The second viewing was even more rewarding and helped to answer many of the questions I had after my first screening. While I did not understand it all the first time around (an understatement if ever there was one) I did understand enough to know that I was viewing something beyond extraordinary. My purchase of the screenplay bolstered my opinion of this work tremendously.The second half of the book contains a generous sampling of selected storyboards. They were also quite enjoyable. One of the highlights of the book, however, is a fascinating conversation with Jonathan Nolan and Christopher Nolan.Highly recommended.
I've been reading lots of screenplays lately to study what great film screenplays read like. Pulp Fiction, Good Will Hunting, Scream, and others are required reading for those that want to learn from great films. This is the screenplay for "Interstellar," which come from the minds of brothers Christopher Nolan and Jonathan Nolan. With their combined resumes, I thought it was worth a look into how their writing translates into the finished product.— SCREENPLAY —This is a 1" thick paperback. with the first half being the screenplay, and the second half for storyboards from the film. If you're already familiar with screenplay language, then you'll know what to expect here. A good screenplay will have you imagining a movie very closely to what ends up on screen.— STORYBOARDS —The storyboards are pencil sketches of select scenes in the film. They are semi-detailed sketches with clear direction as to how the final shot will be composed and if there are any camera movements required.— SUMMARY —This is another great screenplay book, with the bonus of the storyboards, for those that are looking to study these things. Recommended.
This enables a viewer to get a better handle on the twists and turns of this film, and to digest the background science. Also, the storyboards explain how this film went from script to visuals to actual footage.
When watch Interstellar ... I saw things in the movie that I did not see the first time and it helped make sense of the scene.
Loved the movie. But because English is not my 1st language I couldn't catch everything in the dialog therefore I bought this. It is very helpful.
Perfect gift for some one who is a huge Interstellar fan.
Good for fans like me.
It arrived on time which was great, but even better it not only had the complete screenplay but also the storyboards for the movie. My boyfriend is a huge Nolan fan and adored this present.
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